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All articles from: March, 2009

MFW: Parting words

By admin on March 4, 2009 0 Comments

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“I am looking for some good easy every day pieces to wear. So hard.  Designers are doing too many expensive, difficult clothes.  But I don’t want boring.”


That’s a small excerpt from an email exchange I recently had with a friend of mine, who has worked with some of the fashion world’s most critically-adored names. We had been writing each other back and forth about the Milan collections and her opinion really got me thinking about the disparity between what is shown on the runway and what we wear in real life. While many of the clothes were beautiful and inspired, I think Milan is the biggest example of this gap so far with its parade of looks that screamed “for magazine editorials only.” But what makes a “good easy piece” anyway? My friend noted that many people make the mistake of equating it with basics from J.Crew. But easy, doesn’t have to mean bland. For my friend, it’s a wearable piece from Comme des Garçons. It can mean a number of things, depending on the woman you ask. But it’s a topic I’d like to explore this week in Paris. 

And as far as the remainder of my work trip in Milan goes, time and newspaper deadlines got the best of me. But thanks to countless cups of cappuccino (it’s my weakness in Italy, I never drink coffee anywhere else) and glasses of fresh squeezed blood orange juice, I was able to do it all, and not get sick! I hope to be able to take more breaks in Paris to keep you up to speed on the cool things I encounter. A Bientot.
Categorised as: fashion Tagged with: , ,

The unexpected tastemaker: How Garance Doré became a woman of fashion influence

By admin on March 3, 2009 0 Comments

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A sign of the times: the “guardian of all style” is a blogger. I’m referring to the fashion photographer/illustrator/up-and-coming stylist Garance Doré, who The New York Times christened a sartorial gatekeeper of note in a recent article. She isn’t a socialite who grew up calling major designers “auntie” or “godfather” didn’t attend a prominent fashion design school and hasn’t

worked as an editor at a major magazine of note — all of which are seeming requisites for the fashion world’s most noted tastemakers. Instead, Doré grew up in Corsica where her mother owned a popular restaurant, studied communications and got her foot in the proverbial fashion door through a series of freelance illustrator jobs.

“I never even thought I could dare work in fashion,” Doré admits. She attracts thousands upon thousands of visitors to her 2-year-old site daily, including powerful editors. They check for her intimate portraits of painfully chic, non-famous men and women on the street, usually in Paris
where she lives. Her story represents a general power shift of sorts in the fashion world.

As the public becomes increasingly bored with manufactured celebrity magazine covers and mainstream first-name-basis designers they search for inspiration online instead through pictures of real people wearing difficult-to-identify clothing. “I think people connect with me because my
site has a certain honesty. I’m not plugging products,” she tells me over cappuccino in Milan. She’s on the third leg of a fashion week tour that will end in Paris next week.

While most street style bloggers canvas an area, snapping shots of every interesting looking person they encounter. Doré’s work is more deliberate and painstaking. “I began my blog by just posting my illustrations, which can take hours or days to do. So my photographs have more thought and
process behind them,” she says before recounting a story in which a well-known international magazine asked her to contribute street style photography. “They wanted me to take ‘x’ amount of photos and I had to turn them down because I don’t work by numbers,” she says. While she currently
makes no money from her site, it’s led her to other potentially lucrative projects. She recently gave a panel discussion on street style photography in Italy and will begin styling a few photography projects to be shot by Scott Schuman, most commonly known for his photo blog, The Sartorialist.

“It’s a really cool case study of new media,” says Schuman, who joins us at the end of our chat. He and Doré have recently become a couple after several years of friendship. The current camera she shoots with was a gift from Schuman after he realized she was using a small everyday digital one. “There was once a time when the photographer relied on the magazine for exposure.
But now a photographer can come to a magazine and say, I’ve got 30,000 people coming to my site a day. The negotiating is now a two-way street instead of a one-way street,” he adds. She agrees, “I really do adore magazines, but I don’t need them to show my work and that feels great. I
think this is the way of the future.”


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MFW trends: And more tall boots

By admin on March 1, 2009 0 Comments

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Roberto Cavalli

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This was one of my favorite looks from his show.

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Prada

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MFW highlights: Cat of nine tails as evening wear at Prada

By admin on March 1, 2009 0 Comments

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MFW trends: Up-to-there boots

By admin on March 1, 2009 0 Comments

Thigh-high boots paired with teeny tiny dresses at Gucci gave me Rodarte flashbacks. Gucci’s version was all sex and rockstar glam. Yes, the boots at Gucci were hot and will probably be a big sell for fall. But I prefer Rodarte’s execution of the mini dress plus tall boot idea, mostly because it was bold and sexy without literally screaming “I’m being bold and sexy.” 


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(photos: Maurizio Maule)
Categorised as: fashion Tagged with: , , ,

MFW highlights: Neon and some much-needed brown

By admin on March 1, 2009 0 Comments

Milan’s runways are notoriously and historically lily white (or lily tan, I should say). Of the fashion world’s four major cities, it has also been the slowest to respond to the diversity debate, despite Vogue Italia’s black edition. With the exception of the occasional Jourdan Dunn sighting, I was beginning to think there was no hope. But Anna Molinari’s neon bright Blumarine show featured a somewhat diverse cast, as far as fashion goes, using Lakshmi Menon (South Asian), Chanel Iman (black American) and Gracie Carvalho (Afro-Brazilian). 

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(photos: Maurizio Maule)